May 4, 2025 to June 2, 2025

The Long Memory: Lawrence and James Self – Father & Son Painting East Anglia

Kelvedon Hall

This moving exhibition celebrates the artistic legacy of father and son, Lawrence Self (1924–2001) and James Self (1976–2023), who captured the beauty of the Suffolk and Essex landscapes through years of walking, observing, and painting—both together and alone. Lawrence Self believed landscapes "evoked indefinable feelings which became the motive for trying to express... the combined experience of seeing and feeling.” His vivid, expressive style earned admiration from many, including the late DJ John Peel, who featured his work in the Meltdown exhibition at the Hayward Gallery. James Self, raised in a family of artists, was drawn inevitably to painting despite initially pursuing medicine. His works reflect his deep relationship with nature—especially the atmospheric marshes of the Thames Estuary—and explore the interaction between human presence and wild landscapes. This exhibition is not only a tribute to artistic heritage but also to James's memory, following his tragic death in a domestic violence incident. In honour of his legacy, the exhibition supports the charity Respect, which helps men affected by domestic abuse. Donations are welcome and will go toward helplines, safe houses, and awareness campaigns to encourage men to seek help.

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    Kelvedon Hall

    KELVEDON HALL

    Discover complete rural tranquility, where Adam-esque interiors, the stunning Rose Garden, and centuries of history await—just a short journey from London.

    Kelvedon Hall

    Kelvedon Hall stands as a remarkable testament to English architectural and social heritage, rooted in a medieval manor site and transformed through centuries of distinguished ownership. Originally acquired by the Wright family in 1538, the current red brick structure—built in a distinctive U-plan—comprises a three-storey central block connected to two-storey pavilions, embodying the architectural elegance of its era.

    In 1937, Henry 'Chips' Channon, a prominent socialite, purchased the estate, marking a significant chapter in its history. Channon's stewardship brought notable enhancements, including a uniquely styled 'Neo-Austrian-Baroque' swimming pool pavilion designed by William Kellner and entrance lodges created by Wellesley and Wells. The interior reflects this rich narrative, featuring Adamesque-style rooms from the 1780s, a John Churchill ceiling mural, and mid-1960s redesigns by David Hicks.

    Recognised for its historical and architectural significance, Kelvedon Hall is a Grade I listed building, with additional structures like its lodges, orangery, and stable block also receiving heritage protection. The hall remains a private residence, continuing the Channon family's legacy and serving as a living document of English social history. Its historic Rose Garden has found new life as a venue for opera and theatrical events, further enriching the estate's cultural significance and connection to the arts.

    Private tours, and further details, will be coming soon.

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